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Marilyn Manson - Antichrist Superstar FLAC

Performer: Marilyn Manson
Album: Antichrist Superstar
Country: US
Released: Feb 2013
Style: Acid Rock, Alternative Rock, Art Rock, Black Metal, Death Metal, Industrial, Thrash
Label: Nothing Records, Interscope Records, Universal Music Special Markets
Genre: Electronic / Rock
Catalog #: B0017874-01
Size FLAC: 2414 mb.
Size MP3: 1315 mb.
Rating: 4.1/5
Votes: 529
Record Source: 2 × Vinyl, LP, Album, Limited Edition, Reissue, Red

Marilyn Manson Acid Rock Alternative Rock Art Rock Black Metal Death Metal Industrial Thrash 2013

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Tracklist

1	Kinderfeld Co-producer – Sean BeavanDrums – Chris Vrenna
2	Tourniquet
3	Angel With The Scabbed Wings Guitar – Danny Lohner
4	Man That You Fear Piano – Trent Reznor
5	Deformography Guitar – Trent Reznor
6	Minute Of Decay
7	1996
8	Untitled
9	Cryptorchid Mellotron – Trent Reznor
10	The Beautiful People Guitar – Sean Beavan
11	Dried Up, Tied And Dead To The World Co-producer – Sean Beavan
12	Antichrist Superstar
13	Wormboy
14	Mister Superstar Guitar – Trent Reznor
15	Irresponsible Hate Anthem
16	The Reflecting God Guitar – Danny Lohner
17	Little Horn

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
INTD-90086	Marilyn Manson	Antichrist Superstar ‎(CD, Album)	Nothing Records, Interscope Records	INTD-90086	US	1996
none	Marilyn Manson	Antichrist Superstar ‎(CD, Album, Unofficial)	Not On Label (Marilyn Manson)	none	1998
IND-90086	Marilyn Manson	Antichrist Superstar ‎(Cass, Album)	Nothing Records	IND-90086	Argentina	1996
INC-90086	Marilyn Manson	Antichrist Superstar ‎(Cass, Album)	Interscope Records	INC-90086	Italy	1996
IND-90086	Marilyn Manson	Antichrist Superstar ‎(CD, Album, O-C)	Nothing Records, Interscope Records, MCA Records	IND-90086	Europe	1996

Credits

Co-producer – M. Manson
Concept By [Conceived By], Creative Director [Created By] – Marilyn Manson
Design, Illustration [Digital] – P.R. Brown
Drums [Live] – Ginger Fish
Edited By – Charlie Clouser, Chris Vrenna, Dave Ogilvie, Sean Beavan, Trent Reznor
Engineer – Dave "Rave" Ogilvie, Sean Beavan
Engineer [Assistant] – Brian Pollack, Chris Vrenna
Guitar [Live] – Zim Zum
Keyboards, Loops, Noises [Original Pieces Of 16-Bit Audio Information] – M.W. Gacy
Lead Guitar, Rhythm Guitar, Acoustic Guitar, Bass – Twiggy Ramirez
Management – Tony Ciulla
Management [Booking] – Alex Kochan
Management [Business] – Jay Sendyk
Management [Legal] – David Codikow
Management [Nothing] – John A. Malm, Jr.
Mastered By – Tom Baker
Mixed By – Sean Beavan
Photography By – Dean Karr
Producer – Dave "Rave" Ogilvie (tracks: A1 to A2, A4 to C1, C3 to D4), M. Manson (tracks: A3, C2), Sean Beavan (tracks: A3, C2), Trent Reznor (tracks: A1 to A2, A4 to C1, C3 to D4)
Programmed By – Charlie Clouser, Chris Vrenna, Dave "Rave" Ogilvie, Sean Beavan, Trent Reznor
Programmed By [Programming] – Ginger Fish
Vocals [All Voices], Guitar, Panpipes [Pan Flute] – Marilyn Manson

Co-producer – Marilyn Manson (tracks: 1, 2, 4 to 10, 12 to 16, 99)
Concept By [Antichrist Superstar Conceived And Created] – Marilyn Manson
Design, Illustration [Digital] – P.R. Brown
Drums [Live], Programmed By – Ginger Fish
Edited By, Programmed By – Charlie Clouser, Chris Vrenna, Dave "Rave" Ogilvie, Sean Beavan, Trent Reznor
Engineer – Dave "Rave" Ogilvie, Sean Beavan
Engineer [Assistant] – Brian Pollack, Chris Vrenna
Keyboards, Effects [Loops And Other Pieces Of 16-bit Audio Information] – M.W. Gacy
Lead Guitar, Rhythm Guitar, Bass, Acoustic Guitar – Twiggy Ramirez
Lyrics By – Manson (tracks: 1 to 16), Ramirez (tracks: 1)
Management – Tony Ciulla
Mastered By – Tom Baker
Mixed By – Sean Beavan
Music By – Berkowitz (tracks: 1, 4, 8, 16), Gacy (tracks: 1, 6, 10, 11, 12, 16), Manson (tracks: 3, 14, 16), Reznor (tracks: 5, 7, 15), Ramirez (tracks: 2 to 5, 7 to 13, 15, 16)
Photography By – Dean Karr
Producer – Dave "Rave" Ogilvie (tracks: 1, 2, 4 to 10, 12 to 16, 99), Trent Reznor (tracks: 1, 2, 4 to 10, 12 to 16, 99)
Voice [All Voice], Guitar, Panpipes [Pan Flute] – Marilyn Manson

Acoustic Guitar, Bass, Lead Guitar, Rhythm Guitar – Twiggy Ramirez
Co-producer, Flute [Pan], Guitar, Voice – M. Manson (tracks: A1, A2, A4 to C1, C3 to D4)
Design, Illustration [Digital] – P.R. Brown
Drums [Live], Programmed By – Ginger Fish
Edited By, Engineer [Assistant], Programmed By – Chris Vrenna
Edited By, Engineer, Mixed By, Programmed By – Sean Beavan
Edited By, Engineer, Programmed By – Dave "Rave" Ogilvie
Edited By, Programmed By – Charlie Clouser, Trent Reznor
Engineer [Assistant] – Brian Pollack
Guitar [Live For Antichrist Superstar] – Zim Zum
Keyboards, Loops, Other [Original Pieces Of 16-bit Audio Information] – M.W. Gacy
Management – Tony Ciulla
Mastered By – Tom Baker
Photography By – Dean Karr
Producer – Dave "Rave" Ogilvie (tracks: A1, A2, A4 to C1, C3 to D4), M. Manson (tracks: A3, C2), Sean Beavan (tracks: A3, C2), Trent Reznor (tracks: A1, A2, A4 to C1, C3 to D4)
Written-By – Berkowitz (tracks: A1, A4, B4, D3), Gacy (tracks: A1, B2, C1 to C3, D3), Manson, Reznor (tracks: B1, B3, D2), Ramirez (tracks: A1 to B1, B3 to C4, D2 to D4)

Engineer – Dave Ogilvie, Sean Beavan
Engineer [Assistant] – Brian Pollack, Chris Vrenna
Mixed By – Sean Beavan
Producer – Dave Ogilvie (tracks: 1, 2, 4 to 10, 12 to 16, 99), Trent Reznor (tracks: 1, 2, 4 to 10, 12 to 16, 99)
Programmed By – Charlie Clouser, Chris Vrenna, Dave Ogilvie, Sean Beavan, Trent Reznor

Notes

This edition is the Columbia House Record Club cd.
Note the “CRC” above the barcode.
It has the slip-sleeve over the jewel case.
Track 99 is a hidden track.
Publishing:
All tracks: Songs Of Golgotha Music/Dinger & Ollie Music
Tracks 6 & 14 Blood Heavy Music/Dinger & Ollie Music
Tracks 1, 6, 10, 11, 12, 16 DCLXVI Music/Dinger & Ollie Music
Tracks 1, 4, 8, 16 Carducci Thrift Music/Dinger & Ollie Music
Tracks 5, 7, 15 Leaving Hope/TVT Music, Inc.℗ © 1996 Interscope Records.
Distributed by the local BMG company. A unit of BMG Entertainment.
Made in the EC.

Released in a jewel case contained in an Slipcase.Ⓟ Ⓒ 1996 Interscope RecordsMastered at Future Disc Systems.
Edited & programmed at Nothing Studios, New Orleans.

Pressed on 180 Gram Virgin Vinyl.
Originally released on Interscope Records in 1996.

SVLP 055, SVLP-055 on sleeve.
SVLP 0055 on labels.

Gatefold sleeve.

Plain white center labels.Cd case has outer cardboard cover with translation of album and tracks.
Security sticker under 10x magnification says "China Audio Vidio" around edge of sticker. It may have misspelled video as vidio.
Small print on cover states mfg is MCA, distributed by BMG.
Lots of spelling errors on cover small print and back track listing.Hot Topic exclusive, limited to 1,500 copies in a gatefold sleeve.

Barcodes

Barcode: 6 0694-90086-2 8
Matrix / Runout (Variants 1, 2 & 3): [ 4 x Universal Logo ] 06069 490 086-2 01 # 51463325
Matrix / Runout (Variant 4): [ 4 x Universal Logo ] 06069 490 086-2 02 # 51463325
Mastering SID Code (Variants 1, 2 & 3): IFPI L008
Mould SID Code (Variant 1): IFPI 0125
Mould SID Code (Variant 2): IFPI 0141
Mould SID Code (Variant 3): IFPI 0116
Mould SID Code (Variant 4): IFPI 0145
Other (In Mould Variant 1): MADE IN GERMANY BY UNIVERSAL M & L A
Other (In Mould Variants 2, 3 & 4): MADE IN GERMANY BY UNIVERSAL M & L B
Rights Society: BIEM/MCPS
Label Code: LC 06406

Barcode: 0 20831-1715-2 6 7 9
Matrix / Runout (Variant 1): IND-90086 F4 1B 10
Mastering SID Code (Variant 1): IFPI L424
Mould SID Code (Variant 1): IFPI 7228
Matrix / Runout (Variant 2): Y3883 5 IND 90086-2 01 M1S7
Mastering SID Code (Variant 2): IFPI L903
Mould SID Code (Variant 2): IFPI 2U7D

Barcode: 6 0694-90086-2 8
Rights Society: BIEM / GEMA
Label Code: LC 6406
Price Code (F:): BM 650
Matrix / Runout (Variant 1, 2, 3): SONOPRESS R-6822-1/ IND90086 C
Mastering SID Code (Variant 1, 2, 3): IFPI L024
Mould SID Code (Variant 1): IFPI 0713
Mould SID Code (Variant 2): IFPI 0704
Mould SID Code (Variant 3): IFPI 0733

Barcode (Text): 643346005515

Barcode (Text): 602537232048
Matrix / Runout (Side A): B0017874-01-LP1 A
Matrix / Runout (Side B): B0017874-01 LP1-B
Matrix / Runout (Side C): B001787401 LP2-A RE1
Matrix / Runout (Side D): B0017874-01-LP2-B
Other (Catalog number on sticker): STDHT-ST01

Barcode (Text): 6 06949 00864 2
Barcode (String): 606949008642
Other: УкрЦСМ-9866

Companies

Mastered At – Future Disc

Distributed By – BMG
Phonographic Copyright (p) – Interscope Records
Copyright (c) – Interscope Records
Manufactured By – Sonopress – R-6822

Phonographic Copyright (p) – Interscope Records
Copyright (c) – Interscope Records
Manufactured By – Universal Music Enterprises
Mastered At – Future Disc
Edited At – Nothing Studios
Exclusive Retailer – Hot Topic

Manufactured By – Uni Distribution Corp.
Distributed By – Uni Distribution Corp.
Phonographic Copyright (p) – Interscope Records
Copyright (c) – Interscope Records
Published By – Songs Of Golgotha Music
Published By – Dinger & Ollie Music
Published By – Blood Heavy Music
Published By – DCLXVI Music
Published By – Carducci Thrift Music
Published By – Leaving Hope Music
Published By – TVT Music, Inc.
Mastered At – Future Disc
Designed At – Bau-da Design Lab
Manufactured By – UNI

Made By – Universal M & L, Germany – 51463325

Record Company – Eurostar Ltd.
Licensed From – Universal International Music B.V.
Distributed By – Euro Star
Phonographic Copyright (p) – Ukrainian Records
Phonographic Copyright (p) – Interscope Records
Copyright (c) – Interscope Records

Manufactured By – MCA Music – INTD-90086
Distributed By – BMG – INTD-90086

Video

My third fav MM lp (MA and HW are my #1 & 2). I agree that there seems no difference in sound between the Hot Topic and the Simply Vinyl pressings, except for one thing. The red vinyl isn't very quiet, and gives off a hiss between tracks-unlike the SV, which is dead quiet. That is the sort of problem that can reduce sound quality (from what I have read), which is likely why people complain that this is from a CD source, without proof. As for the missing masters, only the record company, not the artist (nor the producer--Trent Reznor, in this case) can take that off the premises. That is called theft, a felony in every state in this country. Whatever happened to it is the responsibility of Nothing Records, and therefore Interscope. Which, by the way, belongs to UMG (I believe). Wasn't there a fire that destroyed 1000s of masters? Just asking...

My HT copy sounds fine, great in fact. I don't have a SV to compare it to though, but having heard this album a gazillion times in various formats over the years, I can say this sounds perfectly fine and nothing like how you described it. Maybe you have a bad copy?

jeir1968 I agree that there seems no difference in sound between the Hot Topic and the Simply Vinyl pressings....Im shocked that there’s someone who doesnt hear a difference in sound when comparing the HT2013 pressing & the SV1998 original. (And I’m not even talking about whether its quiet between songs, but rather the songs themselves)The red Hot Topic pressing sounds like someone played the CD master in a tunnel but like a block away. Of course, this is just my ears & my opinion; and to each their own. However, what I did find interesting, is I thought those unofficial white boots (that have the SVLP catalog #info on the jacket and have oversaturated the eBay marketplace *smh*) sounded WAY more clearer than the official 2013 HT exclusive.

Wish I could have this for a reasonable price... Manson needs to reissue some vinyl and also put EMDM/HEOL on vinyl

The solid red vinyl is a nice touch for this album. Sounds pretty good. Would like to see how the simply vinyl version sounds.

Heil Marilyn Manson !

Finally got this reissue. I read many previews, but it will better if I try it myself. I have an original simply vinyl edition. I try with my medium end system. Both is good. a different thing is the reissue look clearer than original, but the sound is more clearer for me. High treble and heavy flat bass. I tried them more than 3 time, and found I love the sound of the original issue that give me fresh, live and warm than the new one.

Since Manson's master recording was lost back in the early 2000's, I chose to try the UK pressing from 98. Eventually I would like to compare them on equipment to see if there is a sound difference.

i thought they were lost before 2000?

As an avid record collector, don't believe the morons putting down this pressing. It sounds absolutely fantastic! I actually spin this more than the original simply vinyl pressing, which I also have, and I find no difference at all with the sound quality. And only 1500 pressed. Very rare by now. Looks and sounds great! A+++

SteveKrasz...Morons?I think you need your ears checked. The Simply Vinyl sounds much better than this Hot Topic pressing. You sound more like you own the HT version, and have never actually heard the SV version, regardless of what you wrote. I'm an avid collector also, only my ears are functional. If you had actually heard the SV you would realize what 10s of others have said before. SV = good HT = bad

It's rare now and pretty on red vinyl. I sold mine because the sound quality does not eclipse the CD in terms of dynamic/clarity. The Simply Vinyl pressing is much better sounding.

I bought this at Hot Topic, listened to it once, and promptly sold it.The mastering is really quiet, and the sound quality is terrible. Also C1 (Angel With the Scabbed Wings) starts a second or two into the song!Avoid this release unless it's just for show.

Don't Listen to the nay sayers. This vinyl edition is beautiful! The gatefold is great and the red vinyl just adds to the evilness of this record! Sound quality is great too. Now we need Holywood to be re-issued next.

Why're you so triggered by people who left these comments years ago? That you had to lash out at anyone that said this pressing sounded fine? Yet, I see this is in your wantlist... Lol.

Oh, I'm sure it sounds awesome on your new Crosley!

Just bought it to have this on vinyl and didn't want to pay the price for the 90's vinyl. The presentation is poor. The book on CD had all the concept art and words mixed making "double senses". On this time there's no boook and it's just a piece of paper with the photographs with no impresion for me. For the sound it's been a deception, maybe by the music style that may have no diferences beetween CD or vinyl.